Thursday, December 30, 2010

Disney Pixar Characters to Grace New USPS USA Postage Stamps

Look for your favorite Disney Pixar to grace United States Postage Stamps next year! 


Soon, you’ll be able to send your snail mail graced with characters from “Cars,” “Ratatouille,” “Toy Story,” “Up,” and “Wall-E.” 

The stamps are part of a commemorative collector’s series, and will go on sale on August, 19.  Doubly cool:  they will be “Forever” stamps, which means that they will be valid regardless of how much postage increases in the future.

Source: http://www.diszine.com/content/disney-pixar-characters-to-grace-new-postage-stamps

Tuesday, December 28, 2010

USPS Post office issuing Indianapolis 500 anniversary postage stamp

The Indianapolis 500's 100th anniversary is one of 25 subjects to be highlighted in the U.S. Postal Service's 2011 Commemorative Stamp Program, unveiled Tuesday.

Ray Harroun, winner of the inaugural Indianapolis 500 in 1911, is featured on the stamp, which says "Indianapolis 500" and "100 Years of Racing." The stamp's image was created by illustrator John Mattos.

“It’s a great honor for the Indianapolis 500 to be featured on a U.S. Postal Service stamp,” Indianapolis Motor Speedway Corp. President Jeff Belskus said in a prepared statement.

“The stamp recognizes the 500 as a vital part of American culture and is a wonderful addition to our celebration of the 100th anniversary of the race in 2011.”

This is the second time that the Marmon Wasp, piloted by Ray Harroun, has been featured on a U.S. stamp.
The postal service receives thousands of suggestions annually for postage stamps. The Citizens’ Stamp Advisory Committee recommends 20 to 25 subjects for final approval by the Postmaster General. According to the postal service, “stamp subjects must stand the test of time, reflect the cultural diversity of the U.S. and have broad national appeal.”

This is the second time the Marmon Wasp, piloted by Harroun, has been featured on a U.S. postage stamp. The car also was highlighted as a 17.5-cent stamp in a transportation series in 1987.

The 2011 Indianapolis 500 is scheduled for Sunday, May 29, at the Speedway.

The latest stamp will be a Forever Stamp, which is always equal in value to the current first-class stamp rate, regardless of future price changes.

Source: http://www.ibj.com/post-office-issuing-indianapolis-500-anniversary-stamp/PARAMS/article/24265

Thursday, December 23, 2010

Off With Her Head: The Queen To Be Taken Off British Royal Mail Stamps?

Is this the modern definition of austerity? The potential selling off of the Royal Mail is not going to be hampered if the new owners want to replace Queen Elizabeth II with something else of their choosing.

Since the famous "penny black" went on sale back in 1840, all British stamps have borne the profile of the reigning monarch.

But if the Royal Mail is eventually sold to foreign owners, it's come to light that there's no law explicitly stating that the tradition must continue.

"There's nothing specifically to stop whoever runs the Royal Mail in future dropping the royal head," said Business Secretary Vince Cable (who arguably has more pressing business to deal with right now) though he also pointed out, "I think it is unlikely they would, because it is a very powerful brand."

But it has become a considerable cause for concern, seeing as the government is in talks with Buckingham Palace over the sticky matter. The postal services bill, as it is known, does give the Queen a veto over any use of her image, but, curiously, doesn't insist that her head is shown.

Predictably, the opposition Labour party has entered into the controversy, with Cable's counterpart, Shadow Business Secretary John Denham, accusing the coalition of leaving a "glaring loophole." Denham remarked, "The fact that they haven't bothered to protect the monarch's head on our stamps just shows how desperate they are to sell Royal Mail off as quickly and for as much cash as possible."

Ed Davey, the Liberal Democrat minister in charge of postal services, chimed in that, in fact, the previous Labour government should be held accountable for the situation but doesn't think the nightmare scenario will play out: "Quite apart from the law, any company would be absolutely stark staring mad to remove it."

The Queen herself has, of course, kept mum on the subject, possibly preferring to concentrate instead on her grandson's Prince William impending nuptials next April. And therein lies an intriguing compromise: what better gift could there be for the happy couple than for the Queen to suggest that her head be replaced by that of Queen-in-Waiting, Kate Middleton? A literal Royal stamp of approval, if you will. (via the Guardian)

Source:: http://newsfeed.time.com/2010/12/21/off-with-her-head-the-queen-to-be-taken-off-british-stamps/#ixzz18yTp2QS3

Wednesday, December 22, 2010

Stanley Gibbons Clarify Their Stamp Catalogue Pricing Policy

Stanley Gibbons issued today the following interesting press release:

Firstly my comment on this press release - The clarification they are publishing surrounds the point that the Stanley Gibbons Catalogue is really price catalogue for buying stamps from them - company Stanley Gibbons, rather than a guide as to what a stamp is really worth on the open market. 
Also note that they admit that the running costs of their business is built in to the cost of the stamps they sell. Fair enough ... so use their price guides with caution as a reference tool to accurately identify your stamp and to get an "idea" of what a leading dealer such as Stanley Gibbons would sell the stamp for. 


You may want to consult with other dealer price lists to get a better picture of value and remember - dealers do mark up their stamps to make profits - they buy low and sell high.

If you have any thoughts I'd love to hear from you in the comment section below.

 

The Stanley Gibbons Guide to Stamp Pricing

 

Stanley Gibbons' Catalogue Editor and lifelong collector, Hugh Jefferies, offers a few tips.

PRLog (Press Release)Dec 22, 2010 – It is a common fallacy that the prices in our catalogues show what a stamp is ‘worth’, should you wish to sell it.

They are, instead, the price at which Stanley Gibbons will sell a fine example of the stamp in question, but that price includes a lot of other factors, as well as the inherent ‘value’ of the stamp itself.

There are costs in running any business and these are built into the price of any stamp shown in the catalogue, although the proportion of the price that relates to the stamp and that which relates to ‘business overheads’ will vary from stamp to stamp.

What is true is that the prices shown in the catalogue represent an accurate ‘guide’ to the value of the stamps listed in it. Stanley Gibbons are now the only major philatelic publisher whose stamp catalogue is the firm’s price list. Naturally, if the prices are set too high, no one will buy our stamps, if they are too low, we will have difficulty replacing our stocks.

It is therefore vitally important to the future of the company that the prices in our catalogues are set as accurately as possible. As a result, a great deal of care is taken over those prices – which is why they are held in such authority by collectors, dealers and stamp auction houses throughout the world.

Each year, every price in our annual catalogues is checked and amended if necessary, having regard to the prices being achieved at auction as well as the demands of our customers at 399 Strand and orders coming in via the post, email and our website. Prices are held, increased or reduced according to those factors, giving a very accurate picture of the state of the market for each and every stamp.

Can stamps be purchased for less than the prices quoted in this catalogue?

Of course they can. Stanley Gibbons themselves will frequently have stamps in stock at prices lower than ‘full catalogue’. Every business offers discounts and makes ‘special offers’ from time to time and Stanley Gibbons is no different. That apart, however, it should always be remembered that the prices quoted in the catalogues are for stamps in fine condition.

Stamps with minor defects, heavy postmarks, slight fading and other flaws will frequently be offered at lower prices, both by Stanley Gibbons and by other dealers and auction houses.

It is very important that, when you are thinking of buying a stamp for your collection, you carefully consider the condition of the item in question. Does it match up to the Stanley Gibbons definition of ‘Fine’? If it doesn’t, is the price at which it is being offered too high? If you believe that the price is higher than it should be, leave it alone – or if you are really desperate, haggle for a better deal.

The knowledge as to what is ‘fine’ and therefore worthy of ‘full catalogue’ is one that you will gain with experience and will vary from stamp to stamp. Any stamp less than 100 years old should really be perfect in every way, but one can be more forgiving with older issues.

Briefly, here are a few of the things to consider.

Gum

For unused stamps issued after 1936 prices are for unmounted mint – stamps never previously hinged. Modern stamps with hinge marks should be substantially discounted. For earlier stamps, heavy mounts and multiple hinges will also detract from the value, while unused stamps with the gum removed are worth considerably less.

Margins
For imperforate stamps these should be clear on all sides – the design should not be cut into or even touching the edge of the stamp.

Perforations
Check that these are complete, that none are missing or short, especially at the stamp corners. Ideally the margin between the stamp design and the perforations should be even and well balanced – known as ‘well centred’.

Paper
Check that there are no tears or thins to the paper – on the front as well as the back – and that there are no bends or creases. Again, the greater the damage the further away from ‘full catalogue’ the stamp is worth.

Postmarks
These should be clear, clean and should not disfigure the stamp. The prices for all British stamps issued after 1880 assume used stamps to be cancelled with a clean, clear circular datestamp. Heavy parcel, wavy line or slogan cancellations reduce stamp values significantly. On the other hand, very lightly cancelled stamps should sometimes be viewed with suspicion. There needs to be enough of the postmark showing to prove that the stamp has really been used!

If the above notes seem complicated, don’t worry. You will soon become adept at viewing every stamp in the light of its condition and deciding what proportion of catalogue you are prepared to pay. If you are not certain, ask the dealer for a guarantee that he will refund your money if you’re not happy with your purchase. All good dealers will be happy to provide this.

So, buy carefully – but, above all, have fun!

For a more in-depth guide to condition and how Stanley Gibbons define, ‘fine’, visit http://www.stanleygibbons.com/corporate/corporate-news/t ...

# # #

About Stanley Gibbons:

Founded in 1856, Stanley Gibbons is established as the most well-known, respected and trusted name in philately and collectibles. With over 3 million stamps in stock, the business has grown to become the largest name in stamp collecting serving both collectors and investors alike. Stanley Gibbons is also Europes largest dealer in autographed material, memorabilia and rare historical signatures through its division, Frasers Autographs.
www.stanleygibbons.com
www.frasersautographs.com
Please make a comment below :-) thanks!

Tuesday, December 21, 2010

Botswana Post exhibition depicts postal service history

This romantic letter to a loved one, is among the works on display and captures the Botswana Post stamps exhibition theme, which is: "Send it by letter".



The exhibition, which is organised by the National Museum, monuments and Art Gallery, is held at the Octagon Gallery and will be running until the end of February next year. The aim of the exhibition is to reflect on the evolution of the postal service in the country from postal trees, runner posts to the current mailing system. 

Botswana Post's head of communications, Lebogang Bok, revealed how people used to deliver mail on foot.
Bok said there are some designated trees around the country, which were used as post offices. One such tree is in Palapye while the other one is in Molepolole at the main Kgotla. Bok said they recently held the commemorations of the World Post Day at the Molepolole Kgotla because of the historical significance of that place to the Post Office.

been holding discussions with the National Museum to declare some of the trees as national heritage sites. Talking about the exhibition, Bok said you "cannot separate a postal stamp from a letter or a stamp from a post office".  She said this is why the exhibition is depicting the history of the post office.

Bok said every time, the National Museum considers some of the artefact that it has in store. She said this time they decided to stage an exhibition on stamps.  "We also wanted to showcase the postal artefacts."
Bok said by this exhibition, they also want to teach Batswana about philately, which is the art of collecting stamps.

They would also want to create awareness among the public about the usefulness of postage stamps.  According to Bok, postage stamps can be used to market the country as every stamp carries a lot of history. In her view, postage stamps can also be used to promote the tourism industry of a country.  "Some of the stamps depict our wildlife heritage."

Some of the items at the exhibition include old mail bags.  The mail bags became common during the era of the mail train.  The bags would be delivered by the train guard at their intended destnations.

Other artefacts on display are animal horns, drums and whistles.  These items illustrate how people used to communicate in villages before the postal service was introduced.  There is also a railway track, which signifies the mail train.  In relation to the train, there are fire extinguishers, which were used at railway stations as a safety measure in case of a fire broke out.

There is also the colourful bicycle, which was used by the postmaster as well as old typewriters and the telephone exchange. Old post boxes are also on the display. Post boxes were distributed all over the country.  The mail would be deposited into the boxes and postmen would be responsible for taking and collecting such mail to the sorting centre.

There are also scales that were used to weigh the scale.   Some of the stamps exhibited include the one showing the late Pope John Paul during his visit to Botswana in 1988. There is also another stamp, which was dedicated to Mpule Kwelagobe when she scooped the Miss Universe title in 1999. Some stamps depict cultural implements like the ox hide milk bag and wooden spoons. The Principal Curator at the National Museum, Winni Kgwatalala, said they have been holding exhibitions on different themes.  She said this is the first time that they have held a stamps exhibition.   Kgwatalala said when the capital city of Bechuanaland was in Lobatse, a philatelic museum was opened in that town.  It was later relocated to Gaborone. Kgwatalala said the Botswa Post provides them with an issue of any postal stamps that they produce.

She said the exhibition relates the history of the post office, revolving from the time when people used to deliver mail by running like in a relay race. One person would run from a specific point and pass on the letter to the next person until it reached the final destination. She said later on, mail was delivered by mail train. She said a stamp could be an ambassador.  "They can show history like the papal visit to the country. They also carry culture. The stamp is an ambassador. It is an informer.  When a letter is posted to the United Kingdom, people will be able to learn about Botswana from the stamp."

She said they also want to promote stamp collecting. She noted that stamps are collected for different reasons, some of which are commercial.  She cited that a stamp, which was bought for P5, could later be sold for P50, 000.  Kgwatalala said they still want to promote communicating by letter.

Source: http://www.mmegi.bw/index.php?sid=1&aid=7438&dir=2010/December/Friday17

Monday, December 20, 2010

Famous Stamp Collectors - The rare stamp collections of Chess champion Anatoly Karpov

One of the greatest players ever, Karpov owns a hugely valuable collection led by Belgian stamps.

Anatoly Yevgenyevich Karpov was born on May 23, 1951 in the Urals region of the Soviet Union.

He excelled at chess from a young age, learning the game at four and becoming a Candidate Master by age 11.

Karpov didn't let chess interfere with school, earning a gold medal for academic excellence before studying maths and economics at university. But his teenage years were mostly spent studying at Mikhail Botvinnik's famous chess school despite World Champion Botvinnik's own assessment that, "The boy does not have a clue about chess, and there's no future at all for him in this profession."

Becoming the youngest Soviet National Master in history at 15 in 1966 Karpov finished first in his first international tournament in Třinec, and worked his way up the rankings until he was considered the best candidate to take on the World Champion, American Bobby Fischer.

Fischer, though considered one of the greatest players in history, was erratic and distrustful, especially in major matches against Soviet players. He defaulted following a dispute with governing body FIDE over the rules, handing his rival the victory.

The frustrated Karpov entered a phenomenal number of chess tournaments over the following decade in order to legitamise his status as Champion where he was a daunting force and for some time held the record for most consecutive tournament victories (nine).

He is considered one of the greatest players of all time. Indeed his only rival by many statistics is the player with whom he had a long-drawn, close-fought rivalry for the World Championship: Garry Kasparov.
Karpov has always been an avid collector, devoting the same relentless dedication to collectibles as he has to his chess. Like most of his classmates he collected pins and generated a collection featuring about 30,000 sport, Olympic and chess pins.

He also collects stamps however, and the first stamp in his collection was the USSR stamp celebrating 40 years of the Red Army in 1958. But it wasn't Soviet stamps which really grabbed Karpov's interest.

Instead Karpov's attention was drawn by colonies of the British Empire, and also stamps showing animals which could not be seen in Russia such as snakes, kangaroos or zebras. He has gone on to collect chess and Olympic Games stamps from the first modern Olympic Games in Athens, Greece (1896).

Karpov also has a range of stamps from the USSR, France, Monaco, and the Netherlands, but his most valuable selection is from Belgium and the Belgian Congo, of which he has the largest existing collection. The earliest stamps (until around 1869) are notable for their attractive designs.


One of his Belgian stamps is one of just fourteen examples of the famous Termonde invert which shows one of the buildings upside down. It is thought to be worth around $100,000. By some estimations Karpov’s collections of stamps and other items are worth $15m. But he has not collected primarily as an investment.

Karpov has spent some of 2010 finishing off a book which will place all the collectibles in their historical context. The book was delayed when the original text was stolen, but the book is now substantially complete.
In his later years Karpov has had some involvement with politics including at one point being the President of the Soviet Peace Fund, and has an interest in international relations. Karpov has often said he sees stamps as a useful tool for connecting with other cultures, and a route into communicating with people all round the world.

Source:  http://www.paulfrasercollectibles.com/section.asp?catid=211&docid=5440&n=151210

Friday, December 17, 2010

John E. du Pont dies - Rare 1856 British Guiana Magenta $1million Stamp becomes available?

John E. du Pont, famous stamp collector and philatelist, owner of the rare 1856 British Guiana One Cent Magenta Stamp (bought at auction for US$ 935,000) sentenced to prison in 1997 for the irrational murder of an Olympic wrestler, David Schultz, died in prison Thursday morning, December 8th, at the age of 72.

“Mr. du Pont was found unresponsive in his cell at Laurel Highlands State Prison near Somerset, Pa., a prison spokeswoman told The Associated Press.

“He had had some illnesses, so we are considering it natural,” Susan McNaughton, the spokeswoman, told The A.P., adding that the Somerset County coroner would make the final determination of the cause of death.

The British Guiana 1c Magenta stamp housed in his collection, being unique, holds the title to the rarest stamp in the world, as reported below in The New York Times article.

We can imagine that offers will be presented to his Estate.

It’s the only stamp missing in the British Colonial Collection of Queen Elizabeth…

The original stamp, a one-cent issue crudely printed with black ink on lilac-colored paper, is one of the icons of the hobby, largely because of the tradition that it was found by a Scottish schoolboy in 1873 and sold to a local dealer for six shillings (about $1.60 in those days). It is now owned by a murderer.

The second copy, whose existence is being reported in the next issue of Stamp Collector, a fortnightly newspaper, reportedly turned up in Romania in the mid-1980′s, when it was bought by an unidentified dealer from Bremen, Germany. The German dealer said the seller, a dancer, had inherited the stamp in a collection from her grandfather, who was a servant to a Russian nobleman.

Initial microscopic tests have been conducted by David Feldman, a prominent Swiss auctioneer of rare stamps and coins, and show that the paper and ink are appropriate to a stamp issued in 1856. Further tests could take a year, Mr. Feldman added.

Mr. Feldman was the auctioneer for what is currently the most valuable stamp ever sold, the Swedish Tre Skilling Yellow, an 1855 stamp that was printed in yellow rather than its normal green. He sold that stamp in November 1996 for $2.3 million (including his commission), after verifying that the yellow color was not due merely to the fading of a stamp that had originally been green.

A small number of the British Guiana stamps were produced by a local newspaper printer when supplies of the original one-cent issue, which had been produced on high-quality paper in London, ran out.

According to the stamp’s lore, it was found by a 12-year-old Scottish lad named Vernon Vaughan in 1873. It was still attached to a piece of paper, so the boy soaked it off, and the poor quality of the stamp’s paper became more evident.

Vernon sold the scruffy stamp to N. R. McKinnon because the boy wanted to buy better-looking stamps for his collection. (What may be the second known copy is also scruffy.)

Within a few years its rarity came to be recognized, and it passed through the hands of several prominent stamp collectors: Count Phillippe von Ferrari of Paris, Arthur Hind of Utica, N.Y. (who paid $35,250, a record stamp price, in the 1930′s), and Frederick T. Small of Fort Lauderdale, Fla.

In March 1970 Mr. Small sold the stamp to a syndicate for $280,000.

The syndicate sold the stamp in 1980 for $935,000 to a buyer who was anonymous at the time but whom Stamp Collector and others have identified as John E. du Pont.

Mr. du Pont, a well-known collector and a du Pont heir, was convicted in February 1997 of shooting and killing an Olympic wrestler whom he had sponsored, and was sent to a hospital for the criminally insane.

Thursday, December 16, 2010

Give the gift of a hobby - Stamp Collecting

When thinking about gifts for children this holiday season, why not consider the gift of a new hobby? With children spending countless hours watching television, playing video games and on computers, it’s more important than ever to introduce them the wide range of leisure activities.

A hobby such as stamp collecting can open a world of discoveries. Every stamp has something of interest and with more than 200 countries issuing stamps year after year since the 1840s, there is a lot to discover.
I collect giraffes on stamps and recently acquired a 1922 stamp from Tanganyika. The name “Tanganyika” was new to me, so I looked it up and was surprised to learn that this African country changed its name to Tanzania. Some varieties of this stamp have a sideways watermark that make the stamp a bit more valuable. I also was surprised to find that the used copies of this stamp are more valuable than the unused ones.

Now I want to find other stamps in this set. Stamp collecting has been called “the hobby of kings and the king of hobbies.” Linn’s Stamp News estimates that more than 5 million individuals in the United States collect the small pieces of paper. While President Franklin Roosevelt may have been the most famous U.S. collector, other well-known collectors include financial gurus Bill Gross and Warren Buffett, astronaut Sally Ride, actor James Earl Jones, author James Michener, explorer Jacques Cousteau, musician John Lennon, cartoonist Garry Trudeau and French President Nicholas Sarkozy. If you choose to collect stamps, you will be in good company.
A few people collect stamps because some stamps are worth a lot of money, but most of us collect because we enjoy the stamps. In fact, stamp collecting is not an expensive hobby. You and your children can find many stamps to enjoy for less than $2. Plus, stamps come in your mail. Pay attention to envelopes, carefully cut the stamps out and store them for your enjoyment.

You can store your stamps in a stamp album or on special pages we call stock pages. You also can save your stamps in a shoebox or in envelopes. No matter what your choice, be sure that the stamps are kept in a low-humidity environment.

Centre County is fortunate to have the headquarters of the American Philatelic Society, our country’s oldest and largest stamp-collecting organization. The APS has served stamp collectors since 1886. The society has a library, offers beginner classes and sells supplies that can help your child get started. Learn more by touring the historic Match Factory at 100 Match Factory Place in Bellefonte or by visiting www.stamps.org.

This holiday season, consider introducing a child to a new hobby. Whether it be stamp or coin collecting, making model airplanes, crafting jewelry or another hobby, a gift certificate for something like an introductory class could be the start of a lifetime passion.

Gretchen Moody is director of education for the American Philatelic Society. This weekly column is a collaboration of Centre County Communities that Care serving Bald Eagle, Bellefonte, Penns Valley and Philipsburg-Osceola area school districts, and Care Partnership: Centre Region Communities that Care serving the State College Area School District.


Read more: http://www.centredaily.com/2010/12/15/2402613/give-the-gift-of-a-hobby.html#ixzz18JAiTM9y

Wednesday, December 15, 2010

The Importance of Stamp Condition in your collection – A guide to Stanley Gibbons’ definition of ‘fine’

Even though this article is long it is well worth the read as it gives true insight into the Stanley Gibbons catalogue process for valueing stamps ... a system of classification every stamp collector should know.

From News-Antique.com --- December 15th, 2010

The Importance of Condition – A guide to Stanley Gibbons’ definition of ‘fine’

 We visit Stanley Gibbons Specialist Stamp Department to find out what exactly, ‘fine’ means and how slight defects may affect the price.


To quote in full the relevant paragraph in the introduction to the current Stanley Gibbons Commonwealth and British Empire Stamps Catalogue;

‘The prices quoted in this catalogue are the estimated selling prices of Stanley Gibbons Ltd at the time of publication. They are, unless it is specifically stated otherwise, for examples in fine condition for the issue concerned. Superb examples are worth more, those of a lower quality, considerably less.’

This single paragraph is probably the most significant piece of information in the entire catalogue – but one that is frequently ignored or forgotten. The big question, of course, is just how much more is ‘more’ and how much less is ‘less’? Not surprisingly, the ability to answer that question depends on experience.

A knowledgeable philatelist will be able to assess fairly quickly what the price of a particular stamp should be in relation to that quoted in the catalogue. Many sellers, however, both professional and collector, find it simpler to price items for sale by a standard percentage of ‘catalogue’; probably only marking down those that are actually damaged. This can mean that stamps in better than ‘fine’ condition are underpriced, while poorer ones are too expensive; something which buyers need to bear in mind.

Talking to the experts, it quickly becomes obvious that every single feature of a stamp needs to be considered separately before a judgement on its overall condition can be passed. So this article will look at each of those features individually, before drawing them all together and attempting to assess how much more than catalogue price a superb example might be worth and, conversely, how low a price should be put on one of lower quality.

Gum

This would seem to be a relatively easy one – after all it says in the catalogue;

‘The prices for unused stamps of Queen Victoria to King George V are for lightly hinged examples. Unused prices for King Edward VIII to Queen Elizabeth issues are for unmounted mint.’

Well, at least the definition of unmounted is pretty clear, while lightly hinged means, in theory, a single hinge mark, although, apparently, two or three might be acceptable if the hinges have been lightly applied and carefully removed.

The stamps printed by De La Rue for the majority of Colonial postal administrations during the first three decades of the twentieth century have stood up reasonably well to stamp hinges, so finding lightly mounted examples of such stamps should not be too difficult. However, Canadian stamps, for example, which were printed on softer paper and had thicker gum, are more difficult to find in fine mounted condition and should be valued accordingly.

Heavier hinging is acceptable for stamps issued before around 1890 but the majority of the gum should be clear and ‘unblemished’. If the stamp has been mounted on a number of occasions or if there is a heavy hinge still attached, the price would drop to about half catalogue and from there on would decline fairly rapidly.

For a twentieth century stamp without gum a price of about one tenth of catalogue would be more or less the order of the day (unless it was normally issued that way, of course!). However, many early issues are extremely rare with gum and in these cases anything up to full catalogue price would be appropriate.

Prices for early Western Australia and Sarawak are, for example, without gum; gummed stamps being worth a premium. The first perforated issues of British Guiana are also rarely found with gum, so ungummed examples would be worth a higher proportion of catalogue price than usual – about one third, or more – while Turks Islands provisionals and early New Zealand Chalon heads without gum might rate half catalogue or above.

As for the premium that should be put on earlier stamps in unmounted condition, that will vary from issue to issue and from country to country. Clearly, the older the stamp the less likely it is that it will be easy to find by those seeking ‘unmounted’ perfection.

The Great Britain Concise catalogue gives both mounted and unmounted prices for all stamps issued between 1887 and 1935 and the premium ranges from zero, up to 100 per cent, or even more, depending on the relative scarcity of the stamp in unmounted condition.

As for post-1935 stamps in lightly mounted condition, the story is just as complicated. As it says in the catalogue;

‘Some stamps from the King George VI period are often difficult to find in unmounted mint condition. In such instances we would expect that collectors would need to pay a high proportion of the price quoted to obtain mounted mint examples. Generally speaking, lightly mounted mint stamps from this reign, issued before 1945, are in considerable demand.’

This may hold good for Commonwealth stamps, but on the continent the demand for unmounted has severely affected the market for even lightly mounted specimens. The current Part 7, Germany, Catalogue provides some clear examples of this. This catalogue gives unmounted and mounted mint prices for all Third Reich issues, from 1933 to 1945, with unmounted prices only for later issues. The differences are quite dramatic, with the 1936 Local Government Congress set (SG 614/7) rated at £16.00 unmounted, but only £2.75 lightly hinged, and the 1942 Hamburg Derby stamp (SG 804) is priced at £19.00 and £5.25, respectively. Thus, for most mounted mint post-war European stamps, one should probably be thinking in terms of deducting 75 or 80 per cent from the catalogue price.

As suggested earlier, Commonwealth collectors are fortunate in that the price differential is not nearly so dramatic. On average, mounted mint prices for post-war King George VI sets are approximately ‘half catalogue’. Again, there are exceptions: to take three examples; the first King George VI 3d. of Ascension, the black and ultramarine stamp (42), would only rate around 25 per cent of catalogue in mounted condition, on the other hand, the 1938 set of Perak (103/21) would be more like two thirds, while for some of the Indian Convention States high values the proportion would be even higher.

For the first issues of the present reign the proportion drops to around a third, but after about 1965 there is really very little demand for mounted examples of anything other than the more expensive sets, even in fine lightly hinged condition.

Whether or not a hinge has been attached to it is not the only gum feature that can affect the value of a stamp. Discoloration or toning can also be significant. Stamps which have spent time in the tropics frequently suffer from gum browning and, in extreme cases, cracking and ‘crazing’, sometimes affecting the face of the stamp as well as the back. The value of such specimens should be marked down accordingly.

For stamps of King George VI one would normally aim for no gum toning at all, but the first 10s. definitive of Grenada only exists toned, so that would be considered ‘fine for the issue concerned’; later stamps in the series should have cream or white gum, depending on the original issue.

Again, the vast majority of the first Hong Kong definitives have at least some gum toning, so here the discount for lightly toned examples would be smaller than usual.

The demand for unmounted mint, as well as very real concerns that the gum applied to nineteenth century issues was, in itself, potentially damaging, has inevitably led to a certain amount of regumming.

Stanley Gibbons’ policy is not to sell stamps which have been regummed, especially since the new layer of gum may disguise damage or attempts at repair. It is important, therefore, that the edges of early mint stamps be checked very carefully to make sure that there are no suspicious signs of gum on the surface. (There is one set of stamps, China SG 457/9, which was gummed after printing and perforating, while stamps printed on top of the gum are clearly not a problem – but these are very much the exceptions.)

Margins

Another feature which has long been a part of the ‘Stamp Improver’s’ repertoire has been the adding of margins to stamps which have been deficient in them. Once again, this ‘service’ has developed because of the premium placed by collectors on ‘fine four-margin’ examples of stamps like the Penny Black.

For some years now the British Commonwealth and Empire 1840-1970 (Part 1) and GB Concise catalogues have provided guidance on this matter; illustrating ‘good’, ‘fine’, ‘very fine’ and ‘superb’ examples of the first postage stamp.

As stated, the standard adopted in the catalogue is for stamps described as ‘fine’, which, in terms of margins, means that the area outside the printed design should be ‘approximately one half of the distance between two adjoining unsevered stamps’ – on all four sides, of course! Anything more than this will take the stamp into the ‘very fine’ or ‘superb’ categories, with the stamp’s price rising accordingly.

Ultimately, one arrives at a point where the stamp has ‘stolen’ the margins from all of its neighbours, in which case exaggerated expressions such as ‘gargantuan’ or jumbo’ margins are frequently resorted to. Such examples are, indeed, rare and would expect to be valued accordingly; at least double catalogue price and probably more, if other aspects of its condition are ‘up to scratch’.

One factor which needs to be borne in mind is that the distance between two adjoining unsevered stamps varied quite a lot in the early days. So what would be considered only ‘fair’, or even ‘narrow’, for the Indian lithographs or the first issue of Norway would be ‘enormous’ on the early issues of several British colonies whose stamp printing plates were laid down by Perkins Bacon.

Ceylon, Queensland and Tasmania are typical examples of countries whose stamps, suffer from this problem – and where narrow margins do not necessarily prevent a stamp being described as ‘fine’. Mention of the Indian lithographs raises the issue of octagonal stamps which have been cut to shape – often to fit into the spaces provided for them by the manufacturers of early stamp albums!

Again, the catalogue provides helpful guidance with a note explaining that ‘catalogue prices for Four Annas stamps are for cut-square specimens with clear margins and in good condition. Cut-to-shape copies are worth from 3% to 20% of these prices according to condition.’

For more conventionally-shaped imperforate issues, a stamp which has lost one of its margins might be priced as high as half catalogue if it is fine in all other respects, but the price declines rapidly if more than one side is affected. Of course, there are exceptions; the Penny Black, because of its unique desirability, can merit a higher proportion of catalogue price, even with no margins at all, than just about any other stamp – certainly more than its much scarcer partner, the Two Pence Blue!

Perforations

When we look at the influence which perforations have on value, the situation is no less complicated. Here there are two factors to consider, the condition of the perforations themselves and centring of the stamp image within them.

Centring is easy to understand; in a perfect stamp the space between the edge of the design and the perforations should be equal on all sides. For most modern stamps, perforated on comb machines, good centring is normal and perfect centring would not merit a premium.

Even 100 years ago the quality controls at De La Rue, where most British and colonial stamps were produced, were such that poorly centred stamps, particularly the keyplate types, are seldom encountered, so once again, it is hardly an issue.

The attractive engraved pictorials, popular with post offices in the mid-twentieth century and popular with collectors to this day, were more variable – irrespective of which firm printed and perforated them.

A stamp slightly off-centre could still merit the description ‘fine’, but if it is visibly off-centre in more than one direction or the design touches the perforations, then a discount from catalogue price could be expected – the clearer the displacement, the bigger the discount. If, of course, the perforations pass right through the middle of the stamp, it becomes an error – and that’s a completely different story!

The moral is that it certainly makes sense to try and seek out stamps that are perfectly centred, although in the case of the above issues it would be unlikely that you would be charged extra for them.

When discussing the problem of finding imperf stamps with good margins, it was noted that the designs were some times placed so close together on the plate that it required considerable care on the part of the post office clerk to separate stamps from the sheet without cutting into them. This became even more of a problem when stamps printed from those same plates were required to be perforated.

It is not surprising that, in view of the materials they had to work with and the experimental nature of perforating machinery at the time, early stamps are seldom found perfectly centred. For this reason it would be unrealistic to suggest that a slightly off centre perforated Penny Red was less than ‘fine’, although to command full catalogue price, the perforations should not touch the design.

Centring is also an important issue among more modern line-perforated stamps, notably those of the USA and Canada – right up to quite recent times. Here, poorly centred stamps were the norm and even a slightly off-centre example could merit the description ‘fine’.

Because of the inaccuracy of the perforating machines, the stamps can also vary in size quite a bit, and oversized, well-centred stamps, because of their relative scarcity, can be the subject of fierce competition when they come up at auction and can fetch prices vastly in excess of catalogue. In the case of cheaper stamps five or ten times catalogue price is not unknown.

Nibbled, Short or Pulled?

Perforations are easily damaged, especially if the gauge is coarse and the paper soft. On a De La Rue keyplate issue, with a standard perforation of 14, one would expect a ‘fine’ stamp to have all its perforation ‘teeth’ intact. One ‘nibbled’ or ‘nibbed’ perf tooth (slightly short) would call for a slight discount, but the more teeth affected or the shorter the tooth the greater the reduction in price.

Incidentally, a ‘short perf’ would still show a vestigial ‘tooth’, a ‘missing perf’ shows no tooth at all and a ‘pulled perf’ signifies that there is a ‘hole’ in the stamp where the perforation tooth was pulled away).

Even worse than a short perf on one of the sides is a short corner: Here again, the more of the corner missing the lower the price – but if the damage has resulted in part of the stamp design being torn away then the stamp would be unlikely to be worth more than a tenth of catalogue and possibly much less.

Whereas on a perf 14 stamp a damaged perforation tooth would be considered a defect which would force a reduction in the price, on a perf 8 stamp, such as some of the Canadian coil stamps of the 1920s and 30s, stamps with full perfs are far from common. Here, one or two shortish perfs would probably be acceptable, providing they were not too short. Such a stamp with all its perforations could command a premium over full catalogue price, especially if it was also well centred.

As the gauge increases, however, the impact of short perfs increases, so that a King George V ‘Seahorse’ with one or two short perfs would probably carry a 20 per cent discount, any more than that and the price would drop to half catalogue.

Damaged perforations are not only caused by careless separation. Until very recently, most stamp booklets were made up from reels of stamps, bound into covers by stapling, stitching or gluing and then guillotined to produce the finished books. Inevitably, this cutting was seldom totally accurate, resulting in the majority of booklet panes being trimmed on at least one side.

Prices for stamp booklets in the Stanley Gibbons catalogues are for examples with ‘average’ perforations – that is, slightly trimmed; the prices for booklet panes are for examples with full perforations. If a pane of six has good perforations at the top and side, but is trimmed along the foot, then its value should be based on the three stamps in the top row, the three stamps at the bottom being virtually discounted.

A single stamp which only occurs in booklet panes, such as most of the definitive watermark varieties of Queen Elizabeth Great Britain, should also have full perforations. Trimmed perfs bring the price down significantly and if they are missing completely than even a scarce variety would only merit a tenth of catalogue.

Wing margins

Another perforation issue is ‘wing margins’. When De La Rue began producing the surface-printed stamps of Great Britain, their printing plates were made up of separate sections which printed as ‘panes’. In the case of the 1861 3d., for example, the printed sheet of 240 stamps was made up of 12 panes of 20 stamps. Between each pane there was a ‘gutter’ and where the panes were side-by-side the gutter was perforated down the centre, giving the stamps at the side of the pane a wide (5mm) margin – the ‘wing margin’.

Wing margins were frowned upon by early collectors, who liked their stamps to fit exactly into the stamp-size rectangles printed for them by album manufacturers. As a result, stamps with wing margins generally commanded a lower price than stamps from the centre of the pane which had ‘normal’ perforations and many stamps had their wing margins cut off or had fake perforations added to provide collectors with stamps of the required shape.

Fashions change, and wing margins are now no longer despised, indeed, because of their slightly larger size, they frequently compare well with a ‘normal’ and they certainly show a postmark to better advantage. Thus, there is no longer a discount for a wing margined stamp, although we have not yet reached a situation where one has to pay a premium for their relative scarcity!

Sadly, however, those stamps which were ‘doctored’ in order to appeal to earlier fashions are now considered to be considerably devalued, except in the case of a good basic stamp such as the 2s. brown, or perhaps where the stamp has some other redeeming feature such as an attractive cancellation.

For more run-of-the-mill stamps a price of one tenth of catalogue would usually be appropriate. With this in mind, of course, it pays to be aware of the corner letters of British surface printed stamps which should have wing margins, in order to spot ones which have had fake perforations added. This information is given in both ‘Part 1’ and the GB Specialised Catalogue.

De La Rue printed stamps by the same technique for many British colonies; stamps which do not have corner letters to allow today’s collectors to identify those with ‘dodgy perfs’. The early stamps of Hong Kong are an obvious example and, bearing in mind the prices which these can fetch in fine condition, it behoves us all to be aware of stamps which may have had wing margins removed and to check them carefully before purchase.

Marginal premium

For modern stamps, an intact sheet margin should not add to the value, although one might expect to pay a small premium for a plate block or imprint block over the price for a plain block of four.

For most of the earlier twentieth century stamps, also, a plain margin will do little for a stamp’s value, but if that piece of margin includes a control number, plate number or printer’s imprint then the difference can be very significant indeed!

Great Britain control numbers were widely collected at the time they were current and are widely available to this day.

Reference to volume 2 of the Great Britain Specialised Catalogue demonstrates that, in spite of the fact that there was only one control single in a sheet of 240 stamps, apart from a few rare examples, they generally only merit a premium of between 50 and 100 per cent over the price of a normal mounted mint example.

Plate number singles of colonial stamps occurred once or twice a sheet but, judging from the infrequency with which one encounters them, they were not sought after at the time of issue and are still undervalued today – again a small premium over the price of a fine mint basic stamp is all one should expect.

However, perhaps the Australian market indicates that this may not always be the case. In Australia huge premiums are now being paid for imprint strips and singles at auction. At a recent sale in Australia a 5s. Kangaroo, third watermark, mounted mint ‘CA’ monogram single, catalogue price for a single stamp £225, sold for A$21,000 – getting on for £9000 pounds after tax and premium were added!

The first stamps of Great Britain bore an inscription in the sheet margins, advising the public as to the price of the stamps, where they should be placed on the letter and warning against the removal of ‘the cement’. The early surface-printed stamps also bore inscriptions in the sheet margins. The latter are not currently considered to impact significantly on the value of the stamp to which they are attached, but a partial marginal inscription can make a great difference to the price of a Penny Black or Penny Red, and a complete corner, with plate number attached, will be very desirable indeed.

What’s the damage?

We have looked at some aspects of damage in this article, notably in relation to perforations, so let us conclude by reviewing other aspects of damage.

All young collectors are advised from the outset to avoid torn stamps, and the advice obviously holds good throughout one’s philatelic life. However, that is not to say that all torn stamps are worthless, because even a torn example of a desirable stamp is still collectable and can therefore command a price.

In a GB context, a fine used £5 orange or 2s. brown with a 3mm tear, but otherwise superb, would probably rate about one third of catalogue price; A more common stamp, such as a 2s.6d. or 5s. value, would be worth much less and, naturally, the larger or more obvious the tear, the greater its impact on the price.

A ‘bend’ will generally not be evident on the face of a stamp, only on the back, and will result in a 10 or 15 per cent reduction in price; a gum crease is the natural result of gum ageing and its effect on value will depend upon the damage caused to the face of the stamp. A crease is clearly evident on the surface of the stamp and will result in a more common stamp being worth between one fifth and one tenth of catalogue, depending on the harshness of the crease and where it is – a crease across a corner will be less significant than one right across the middle, for example.

A ‘wrinkle’ gives the appearance of a series of light creases, whose effect on value will depend on its extent and clarity. Once again, a crease or wrinkle on a valuable stamp will be less significant in percentage terms than one on a more common one – all other factors being equal.

The impact a thin will have will similarly depend upon its extent and the effect it may have on the surface of the stamp; a surface abrasion having a greater impact than a hinge thin. Some of the chalk surfaced key types of the early twentieth century are particularly prone to ‘rubbing’ and, again, this will    
   
always reduce the price of a stamp, the size of the reduction depending upon the degree of the damage and the scarcity of the stamp itself.

Perfins

Stamps bearing perforated initials were at one time treated as little better than rubbish and many were destroyed. The fact that there is now a specialist society devoted to perfins should indicate that the situation has changed; but it is fair to say that the majority of collectors avoid them like the plague.

Many official perfins are now listed in the catalogue and some of them carry a price higher than they would as normals. Some, indeed, are very desirable, notably the China ‘Large Dragons’ perforated ‘NCH’ by the North China Herald.

Demand from specialist perfin collectors has pushed up the price for ‘proving covers’ that is, covers which show which organisation used a particular set of initials, while some commercial perfins are sought after and command a premium over the price of an unperfined stamp. Nevertheless, a set of perforated initials would still usually result in an otherwise fine stamp being worth only about one tenth of catalogue.

Fading

One of the reasons why the firm of De La Rue held such an important position in stamp production in the British Empire at the turn of the last century was the security offered by their fugitive inks. The green ink they used, in particular, dissolved into a pale yellow-green upon immersion in
water. A footnote in the catalogue under the 1883 definitives of Great Britain comments;

‘The above prices are for stamps in the true dull green colour. Stamps which have been soaked, causing the colour to run, are virtually worthless.’

This seems rather harsh, particularly in the case of the difficult 9d., but fairly reflects the current market position.

The comment is just as relevant to many other stamps, both from Britain and the colonies. The same inks were used in the production of many colonial middle and high values, such as the Federated Malay States ‘elephants’. Such stamps, when water affected, would be worth from one fifth to one tenth of catalogue, depending on the degree of discolouration.

Water damage is not only a problem for the typographed issues of De La Rue. Although it is generally recognised that recess-printing inks are more stable, there are examples of such stamps which are susceptible to ‘washing’ – some of the Rhodesian ‘double heads’, for example, can be devalued in this way.

Colour change is not, of course, brought about only through immersion in water; sunlight can sometimes have a very significant effect and seriously faded stamps should be viewed in the same way as ‘washed’ ones – more common items being ‘virtually worthless’, rarer ones rating up to one fifth of catalogue, providing that the fading is not too serious.

Tone spots – the brownish spots encountered on many stamps which have been stored in damp conditions – especially in the tropics – will also reduce the value of a stamp or cover; the degree of reduction once again depending upon the extent of the toning and the value of the stamp in fine condition.

A few toned perforation tips should, say the experts, be viewed in the same way as if they were ‘short’. A small brown spot in the centre of a stamp, providing it cannot be seen on the front, would reduce an otherwise fine King George VI stamp to around half catalogue, or quarter catalogue if it were mounted as well.

Earlier stamps would require similar discounting but toned examples of more modern issues should be considered almost valueless. Similarly, any stamp with extensive or more disfiguring brown marks should be avoided, especially as the fault can ‘migrate’ to other stamps.

Cancellation quality

When describing the postmarks of the nineteenth century, the word ‘obliteration’ is synonymous with ‘cancellation’ – because, of course, that was what they were designed to do – to ‘obliterate’ the stamp in such a way as to prevent any opportunity for reuse.

The Maltese cross is an attractive cancellation, especially when applied in red or one of the ‘fancy’ colours, but many early Great Britain line- engraved adhesives are heavily cancelled by over-inked black crosses, which detract considerably from the beauty of the stamps.

A ‘fine’ cancellation should be lightly applied, if possible leaving a substantial part of the design – ideally including the Queen’s profile – clear of the cancellation. Also desirable are well centred examples displaying all, or nearly all of the cancellation on the stamp.

This is particularly true where the cancellation is more significant than the stamp, such as a Wotton- under- Edge Maltese cross. Here, you would want to have as full a cancellation as possible, although it would still be preferable to have it lightly applied.

This rule remains valid after the arrival of the ‘1844’ numeral cancellation. The duplex postmark, incorporating a circular datestamp alongside the numeral obliterator, was not introduced in London until early 1853, so for nine years nearly every stamp continued to be ‘obliterated’ by a barred numeral. On the odd occasion where another form of cancellation was used, such as the circular ‘Town’ marks or ‘Penny Post’ handstamps, the postmark has become more desirable than the stamp anyway.

For stamps used during those nine years, therefore, lightly applied postmarks which leave a significant part of the design clear continue to be desirable and stamps which fall short of this will not be categorised as ‘fine’.

Other countries followed the practices established by the British Post Office, using ‘anonymous’ cancels which can only be identified by individual peculiarities, or numeral postmarks of one form or another.

Again, stamps with lightly applied cancellations should be sought out for preference, although it is necessary to bear in mind the current postal practices in the country or at the individual post office concerned. In spite of the fact that pen cancellations are not generally popular among collectors, where this was a normal method of cancellation, as on the first issue of St Helena, for example, they would be acceptable, although in practice most such examples have since been cleaned in an attempt to make them appear unused.

Indeed, early GB stamps with manuscript cancels, such as the hand drawn ‘Maltese cross’ of Dunnet, often fetch high prices at auction if their provenance is sound.

Circular datestamps

With the arrival of the Duplex cancellation, the possibility that a stamp might receive the circular dated portion of the handstamp increases, although this was not supposed to happen.

Here, we should perhaps return to the statement in the front of the Stanley Gibbons catalogue, that:

‘The prices are ... for examples in fine condition for the issue concerned. Superb examples are worth more, those of a lower quality, considerably less’.

Thus, a postally used stamp cancelled by a lightly applied numeral portion of the postmark would generally be considered ‘fine’, while one which showed only the dater portion would be rated as ‘superb’, especially where that datestamp is upright, well-centred and lightly but clearly applied. A stamp in this condition could rate two or three times the price of a fine example, all other factors being equal.

As Duplex postmarks were replaced by new forms of cancellation such as squared circle handstamps and various forms of machine cancellation, new criteria come into play, but essentially the aim is the same, to find stamps which have been attractively cancelled.

Squared circles were designed to combine the date and place of posting (in the central circle) and the obliteration (in the form of the corner bars) in one small and convenient handstamp. Their adoption by many postal administrations around the world would seem to indicate what a good idea they were felt to be at the time.

In the case of squared circles it is necessary to make your own judgement; heavily inked bars obscuring the main feature of a stamp’s design would not be ‘fine’, but a light but legible postmark which allows the design to show through would be. Of course, once again, squared circles are very collectable in their own right, so a clear complete (or almost complete) cancellation would almost certainly outweigh the ‘marking down’ which might normally be applied because the stamp itself was almost obscured.

Just as in the case of wing margins and perfins, discussed above, fashions are changing in relation to cancellations. In the past, the aim was to find stamps on which the cancellation fell across just one corner of the design, leaving the major part of it clear. Today, interest in exactly where and when the stamp was cancelled, not to mention the possibility that such partial cancellations may have been forged, have made clear, centrally applied or ‘socked-on-the-nose’ cancellations much more desirable – although, again, they do need to be lightly applied.

Towards the end of the nineteenth century, rubber packet, newspaper and parcel cancellers began to appear. These, inevitably, obliterated more of the stamp’s design than a steel datestamp    
and any stamp cancelled in this way would fall well short of ‘fine’. The rectangular parcel cancellations which replaced the old parcel labels in the twentieth century are also shunned by all, other than postal historians seeking particular markings.

Manuscript cancellations

We have briefly touched upon this issue already, but it is worth pursuing in greater depth. The reason why many collectors eschew stamps cancelled by pen marks is that they very often suggest fiscal, rather than postal, use.

Fiscally used stamps are normally much cheaper than postally used examples, even with the significant increase in interest in revenue stamps which has taken place in the last decade. However, individual post offices in a number of countries have resorted to this form of cancellation from time to time and examples are sometimes even more desirable than the same stamp with a clear dated postmark.

On the other hand, Australian postage due stamps are often found correctly cancelled in manuscript, rather than by a dated postmark. Although these are perfectly collectable, they are certainly nowhere near as desirable as similar examples with a ‘proper’ postmark and would probably rate no more than 20 per cent of catalogue, if that.

Returning to fiscal cancellations, these take a number of forms and, since the stamps concerned are often of high face value, some are more desirable than others. The early ‘Arms’ high values of Rhodesia are relatively common fiscally used, cancelled by rubber handstamps in a variety of colours and often perfined as well. Such examples would rate barely 5 per cent of the catalogue price of postally used examples. The New Zealand ‘long’ Queen Victoria and ‘Arms’ high values were designed for both postal and fiscal use and the prices given for them in the catalogue are for examples with clear postal cancellations.

However, some revenue cancels are similar in form to postal ones, so it is important that sufficient of the cancel falls on the stamp to guarantee postal use. Again, fiscally used examples would generally rate only 5 per cent or so of the price of postally used ones, while, among stamps which have seen revenue use, clear black ‘Stamp Office’ and other similar types are much more desirable than purple rubber handstamps, embossed cancels, manuscript markings and stamps which have been perforated through.

Telegraphic postmarks

Generally speaking, just as stamp collectors prefer stamps which have not been fiscally used, they are also not keen on those which have identifiable telegraphic cancellations.

Often, the same canceller was used for both purposes, in which case a stamp, once removed from a telegraph form would be indistinguishable from a postally used example and would therefore be equally acceptable.

However, Indian high values that have been used telegraphically can often be identified by their cancellations which have three concentric arcs in the segments of the postmark immediately above and below the band across the centre of the cancellation which contains the date of sending.

It is noted in the catalogue, for example, that India SG 147, the Edward VII 25r., can be supplied at one third of the price quoted in the catalogue (currently £1000), with a telegraphic cancellation. Other values should be similarly discounted.

In light of this, it may seem strange that Great Britain Queen Victoria high values which were almost exclusively used for telegraphic or accounting purposes should be more highly priced than any which were used postally, simply because the quality of cancellation was vastly superior and, here, the prices quoted in the catalogue would be for telegraphically used examples, since this would be the only way of obtaining ‘fine used’.

Probably, the vast majority of fine used middle values, from 4d. to 2s. were also once attached to telegraph forms and many are relatively common in this form; notably the Is. green from plates 5 and 6, which would not be worth a premium over catalogue in this condition, while others, notably the 2½d. rosy mauve or any 9d. value would merit the premiums, sometimes substantial premiums, quoted in the catalogue for ‘well centred, lightly used’.

It has sometimes been remarked upon that some GB surface-printed issues are more highly priced in the main GB listing than they are in some of the ‘used abroad’ sections. An 1873-80 2½d. rosy mauve (SG 141), for example, is priced at £50 in the GB listing, but £27 used in Suez, £24 used in Constantinople, £21 used in Gibraltar and just £17 used in Malta. This is not because there is less interest in GB used abroad, but because the prices are for ‘fine condition for the issue concerned’.

GB stamps used in Malta are generally fairly heavily cancelled by the ‘A25’ obliterator and the price quoted would be for an example in this form, whereas the price in the GB listing would be for a considerably better stamp.

The two conclusions which can be drawn from this are that, firstly, a British stamp with a light Malta c.d.s. should be priced according to the GB listing where that price is higher, and, secondly, that one should expect to pay very considerably less than the price in the GB section of the catalogue for a stamp with an ‘average’ numeral cancellation, which would only rate between 10 and 20 percent of catalogue, depending on the scarcity of the stamp and the extent to which it is obliterated by the postmark.

Forged cancellations

The problem of forged cancellations has gained much greater prominence in the last few years. This is at least partly due to the increased demand for fine quality insofar as mint stamps are concerned.

Heavily mounted or toned stamps are, as commented earlier in this series, worth only a small fraction of catalogue price, so there is clearly an opportunity for the unscrupulous to turn them into ‘fine used’, in order to enhance their value.

Fiscally used stamps may also have had their cancellations removed and any remains of them covered up by forged postmarks, while a great many    
stamps simply command a higher price used than they do mint, having been little used at the time they were current.

The upshot is that we all need to be aware of stamps which, at first sight, appear to be used, but bear cancellations which cannot be identified.

A nice clean ring across the corner of a stamp, an apparently smeared c.d.s. on which neither the place of posting nor the date can be seen, or a general black smudge, reminiscent of many modern British Post Office operational postmarks, should all be avoided, unless they are known to be typical of the place and period concerned.

Such stamps are really of ‘spacefiller’ status only and would usually not merit a price of more than one tenth of catalogue, if that. More sophisticated forged cancellations also exist, of course and it is fair to say that the extent of this problem has only recently been recognised. Some of them are becoming collectable in their own right. However, these have now become of such interest that a stamp catalogued at less than about £10 is often of greater value with a clear Madame Joseph cancellation than it would be genuinely used.

Higher value stamps would be discounted, though, but would still rate around one third of the price of a genuine example, taking the cheaper of the used or unused prices. Thus, a 1933 Falkland Islands Centenary £1 with the famous Port Stanley, ‘6 JA 33’ forged postmark sells for about £650.

Other forged cancellations are of less interest, especially more modern ones and those which have been drawn in by hand!

While on the subject of ‘drawn in by hand’, collectors in the past – including some very eminent ones – were in the habit of ‘enhancing’ slightly unclear postal markings by drawing over them in Indian ink. Less expensive stamps are seriously devalued in this condition, especially if the postmark is a heavy or disfiguring one. Major rarities would be less devalued in percentage terms, however, and could still rate up to about one third the price of an ‘unenhanced’ stamp with the same cancellation.

Many businesses in Asian countries, especially forwarding agents, were in the habit of cancelling their stamps with ‘chops’, while individuals frequently wrote across them in manuscript in order to discourage theft.

Catalogue prices are for stamps without such endorsements, with a neat handstamped ‘chop’ reducing the price by at least one third and a handwritten one by around two thirds.

Cancelled to order CTO

Prices in the catalogue are, generally, for fine postally used, but for many modern issues they relate to cancelled to order examples.

This does not refer to the selling of cancelled stamps for less than face value for the making up of stamp packets, as was the practice in many Eastern European countries between the 1950s and 1990s, and in North Borneo up to 1912 or Ghana in the 1950s. These latter examples are noted in the catalogue, with separate prices for the North Borneo stamps, while it is noted that catalogue prices for Ghana refer to cancelled to order, properly postally used stamps being worth a little more.

As the volume of worldwide stamp issues has escalated in the last 30 years and the cost of having postally used stamps removed from envelopes, soaked, dried and sorted has risen, it is no longer practicable for the stamp trade to supply fine postally used examples of most modern issues. They are therefore supplied cancelled by the postal administration concerned at the same price as mint examples, although as new issues they may be slightly more expensive, owing to the extra handling costs involved. Catalogue price is therefore for stamps ‘cancelled to order’, although fine postally used examples would merit the same price.

Unfortunately, as collectors in Britain and the USA are aware, ‘fine’ and ‘postally used’ are two expressions which are rarely used together when discussing modern issues, since our respective postal administrations have deliberately returned to the philosophy of their Victorian predecessors and ‘obliterated’, rather than ‘cancelled’, any stamp being used to prepay postage. In the circumstances, therefore, catalogue price for used twentieth century GB refers to stamps cancelled by a light circular or oval datestamp.

Rubber packet or parcel handstamps, slogan postmarks or wavy lines are worthy only of a small proportion of catalogue, the size of that proportion depending, once again, on the appearance of the stamp and its relative scarcity.

That, indeed, encapsulates the relationship between condition and price. In this article we have reviewed the various aspects of ‘condition’ and how they can vary from country to country and from issue to issue. The catalogue price is for ‘fine for the issue concerned’, meaning fine in every respect, although a better than fine cancellation might outweigh a slight deficiency in centring, to allow a stamp to still be classified as ‘fine’. The end result is that, when buying, it is vitally important to carefully consider the condition of the item as well as its price and whether or not you want it and, when satisfied on all three counts, make your purchase – before anyone else gets in first!

This is an updated version of a series of articles published in Gibbons Stamp Monthly in 2003 under the title of “Defining ‘Fine’” which also appears in the introductory section of Stanley Gibbons’ 2011 Commonwealth and British Empire Stamps 1840-1970 catalogue.

Tuesday, December 14, 2010

New Lighthouse USB digital Microscope / Camera now available from Boscastle Supplies


LIGHTHOUSE STAMP COIN DIGITAL MICROSCOPE MAGNIFIER USB 
- PERFECT FOR STAMP AND COIN COLLECTORS

Digital-Microscope-Camera, 2.0 megapixels, 20 to 200x magnification, USB 2.0, 8 white LED's

USB Digital Microscope
Amazing 2.0 megapixel resolution shows the smallest details on your computer screen. 20x-200x magnification.

Easy to use: Simply plug into your USB port, install driver software from the provided CD-ROM, and you are ready to go!
Endless applications: Anti-counterfeit research, hobby, school, studies and more. Creates jpg-files suitable as web images or for graphics software.
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Power supply: Via USB port
Software (in German, English, French, Spanish, Italian, Russian):
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Operating instructions in: German, English
Size: 1 1/4” x 4 3/8” (33 x 112 mm) (W/H)
Box contents: Digital microscope camera incl. software and operating instructions on CD-ROM, stand, and USB cable
Ref. No.: DM1

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USA Postage stamp to honor Reagan - Will be released after centennial anniversary of birth

If it was "morning in America" for former President Ronald Reagan, a commemorative postage stamp due in February to mark the Gipper's birth centennial will forever view the sunrise.

The commemorative stamp, whose design was unveiled Monday at the Ronald Reagan Presidential Library in Simi Valley, Calif., will always be valid for a 1-ounce first-class letter, the U.S. Postal Service confirmed. It will be released officially at the library on Feb. 10, four days after the 100th anniversary of Reagan's birth.
Texas artist Bart Forbes created the portrait, based on a 1985 photograph of Reagan taken at Rancho del Cielo, near Santa Barbara, Calif.

The design was first published in Linn's Stamp News, a hobbyist publication. Earlier this year, Linn's broke the news that a Reagan centennial postage stamp would be released.

Although the preliminary design shows a 44-cent value, the postal agency recently announced that all commemorative, or special, issues would be inscribed with "Forever," instead of a face value, meaning they would sell for the current first-class rate but would remain valid for first-class mail even when rates increase.
A Postal Service spokesman, who asked not to be identified by name, said a revised version showing the "Forever" inscription will be released Dec. 28.

"To honor him with another stamp is a testament to what the American people feel about President Reagan," said Melissa Giller, director of communications and programs at the Reagan library. She said the stamp is one "many people will want to keep forever."

Ms. Giller recalled that when the first Reagan commemorative was issued, in February 2005, "we had very long lines at the library and a lot of people were excited to purchase the stamp."

John Heubusch, executive director of the Ronald Reagan Presidential Foundation, credited James C. Miller III, a member of the Postal Service Board of Governors who also was Reagan's budget director, with getting the stamp issued.

"Jim Miller made it happen," Mr. Heubusch said in a telephone interview. "This stamp is a testimony to Jim's hard work."

Reagan's presidency was marked by a return to American optimism, as the 40th chief executive exuded confidence in the United States, its people and their ability to surmount challenges. That attitude was encapsulated in "Morning in America," a 1984 Reagan-Bush re-election television advertisement that continues to attract notice.

Mr. Forbes, whose artwork adorns the Gulfstream jet flown by Dallas Cowboys owner Jerry Jones, has designed more than 20 special issues for the U.S. Postal Service, including stamps for the 1988 Olympics and commemoratives honoring Lou Gehrig and Jesse Owens. He also has illustrated covers for Time and Sports Illustrated magazines.

Ms. Giller said centennial celebrations to honor Reagan have national scope.

The Reagan library is releasing a curriculum for high school and college classes on the former president's life and legacy. Included in the package will be a commemorative coin that is not in circulation and that the library will provide for use at "every home game" during a yet-to-be-announced weekend in September.

For the first time in the history of the event, Ms. Giller added, the Tournament of Roses Parade, held Jan. 1 in Pasadena, Calif., will feature a Reagan float, sponsored, appropriately enough, by the Jelly Belly Candy Co., which makes jelly beans that Reagan was known for enjoying. A listing of national Reagan centennial events is available at www.reagancentennial.com.

Source: http://www.washingtontimes.com/news/2010/dec/13/reagan-birth-centennial-stamp-debuts/

Thursday, December 9, 2010

Mowbray Stamp and Coin Collectables reports expects record profit

Otaki New Zealand -based Mowbray Collectables Ltd says the high NZ dollar is helping its business as overseas buyers perceive value in their purchases.



The stamp and coin dealer is forecasting a record annual result after today reporting a net profit of $296,881 in the six months to September 30, up from $41,632 in the same period last year.

Sales rose 15 percent in the New Zealand core business of stamp and coin auctions, while costs were as expected.

"Our international export sales remain significant following our success at the London Stamp Exhibition in May 2010. The high NZ dollar continues to assist our exports as overseas buyers perceive stronger value in their purchases," the company said.

Trading revenue was $1.58 million, down 5 percent in last year, while other revenue was $118,000, up from $31,00 last year.

The company said its 49 percent owned Peter Webb Galleries traded on a par with last year including a most successful motorbike sale attended by 500 people, and two oceanic tribal art sales attracting international attention. Art and wine sales are exceeding budgeted forecasts.

The business was started in 1965 by John Mowbray while he was still at school, according to the company's website. He remains chief executive officer.

Source: http://www.nbr.co.nz/article/mowbray-collectables-reports-expects-record-profit-133964

Tuesday, December 7, 2010

MaltaPost celebrates 150th anniversary of 1st Malta stamp

The Philatelic Bureau of Malta Post said it will be issuing a philatelic commemorative miniature sheet titled the ‘150th ANNIVERSARY FIRST MALTA STAMP 1ST DECEMBER 1860′ to celebrate the 150th Anniversary of the first Malta Stamp.


The miniature sheet includes one stamp with denomination of €2.80. The miniature sheet will feature the Queen Victoria Halfpenny which was first issued for local use on 1 December 1860 and an image of an addressed envelope with the Malta Halfpenny Yellow tied by an ‘M’ cancellation mark – the earliest recorded use of the stamp.

An amount of 20,000 miniature sheets with a face value of €2.80 will be issued. The miniature sheet was designed by Joseph Said. The size of the stamp is 44.0mm x 31.0mm with a perforation of 13.9 x 14.0 (comb), while the miniature sheet measures 130mm x 85mm. All stamps have been offset printed on Maltese Crosses watermarked paper by Printex Limited and are available in miniature sheets.

Together with the miniature sheet MaltaPost will issue the fourth in its series of Commemorative Folders. This limited edition of numbered Commemorative Folders will include the miniature sheets.

The miniature sheet and the Commemorative Folder will be available as from Wednesday 1st December from all MaltaPost branches in Malta and Gozo and from the MaltaPost Mobile Van.

For more information about this set and pre-orders of this issue can be done through the Philatelic Bureau (tel. no: 2596 1740, email: philately@maltapost.com, postal address: 305, Triq Hal-Qormi, Marsa MTP 1001) and from MaltaPost website on www.maltapost.com.

Friday, December 3, 2010

Barrie District Stamp Club Celebrates 50th Anniversary

In celebration of their 50th anniversary the Barrie District Stamp Club, located in Ontario, Canada, have issued a commemorative post card. Dec/2/10
  




Michael Millar had just landed a casual job at the post office in Barrie and reconnected with his stamp collection when a colleague suggested they start up a stamp club.

That was almost exactly 50 years ago.

On Thursday, members of the Barrie District Stamp Club celebrated the anniversary of their first meeting at Central United Church, Thursday, Dec. 1, 1960.
"There were 10 people there. Five us us went on to be fairly long-time members of the club," recalls Millar.

One was the former Simcoe County medical officer of health. Another came to Barrie when his company transferred here. He specialized in Boy Scouts stamps, one of many branches in stamp collecting.

Now, the club boasts 45 members from across the area, with members gathering from Bradford, Beeton, Innisfil, Wasaga Beach and Orillia.

"We actually have a member in England" who attends meetings when in Barrie visiting his daughter, said Millar.


Maggie Toms is a lifetime member. She now lives in a retirement home in Ottawa and turned 100 this year. She specializes in early Canadian stamps and postcards.

Millar began collecting stamps as a lad in England when his father brought home stamps marking the centennial of the Penny Black.

The Penny Black is the world's first adhesive postage stamp issued in the United Kingdom in May 1840.

Millar's uncle was in the navy and letters arrived with stamps from all over, allowing the boy to build his collection.

Life intervened, the stamp collection was put aside, but was revived years later when Millar settled in Barrie.

Since then, he's th his stamp collection, guessing that he might have spent more on the collection than its current value. It's kept him connected to history and given him snapshots of places and times.

It's also provided a network, both locally and nationally, as a representative of the philatelic society.

"Some of the rarities seem to be holding their value," he says. "Very few of us have those fine collections."

For information about the club, call (705) 726-5019.

Source: http://www.thebarrieexaminer.com/ArticleDisplay.aspx?e=2873470